essays by shé

Words of Love

“I’m not dead,” said John. I’m sitting on his grave in Queen of Heaven Cemetery. The headstone dates read: May 28, 1964 – September 30, 1967. Today is September 30, 2019. I’ve been here before, but I’ve never heard him quite so clearly.

I believe him. And it is a huge relief. I have spent decades missing my Irish twin. No need.

Is this wishful thinking? I ponder. There was the time I was suicidally depressed, lying on an old futon in Venice. Suddenly, he was there, physically holding me. My body felt his body. My body knew his body. We spooned. The comfort was indescribable.

For how long? Infinity. Long enough for me to remember that I am loved. As are you. As are we all.

Yesterday was my father’s eighty-fifth birthday. We Skyped, at my instigation. I wanted to see his face. Surprise: he is aging. He is slower. So am I.

After we disconnected (is that possible?), I sat on the edge of my bed and listened to Sorrow and Fear. Then I distracted myself with work. Then I took a nap. And then, fortunately, my neighbors irritated me. Hello Anger. I was able to get righteously pissed-off at their unapologetic thoughtlessness, cigarette smoke, and noisy boy ways. Finally I hopped on my bike and pedaled to Kilauea Point. Shearwaters nest there, burrowed into the red dirt cliff. That worked for awhile, then herds of humans arrived to glory in the sight as well. Ocean ocean ocean. Our original home.

Up a hill, nice and sweaty, I take a road I’ve been curious about. Why not? It leads to a cemetery, with Italian and Japanese names. One Omar Kalif. The view of the mountains is incredible, west of me, west of the sea. I lie on the poky grass and watch the sky. Mynah birds discuss various edibles.

The mountains say, all is death, nothing is death. As I look at their sheer majestic mass, I remember: oh yeah, nothing dies, everything dies. Clarity. Terry Pratchett’s Nac Mac Feegle, a race of small fightin’ folk, believe that this is heaven. They can’t die because they’re already dead. Nothing to fear.

Since hearing my brother’s voice so clearly that day, I’ve taken to talking to him. I know he has my back, and my best interests at heart. And while I’m at it I talk to Maureen and Mimi and Pappap and Nana and Grandpa and Coe Coe, Wild Bill Magonigle, and even a rotten uncle. Why should I be deprived of their excellent advice?

Johnny and Shé, 1966

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